Curating our upcoming show Revolution of Art has taken me the better part of a year. It's been challenging and interesting. I had found so many interesting artists that I liked for the show that I was suddenly confronted with the idea of what is Urban Art• And how would I define that for the collection I was getting ready to exhibit. The more I looked and researched the broader the area this term seemed to encompass. So I decided to show a broad cross-representation of the different styles swimming in the pool of Urban or Underground art.
Of course there is the traditional graff style and stencil artists whose work is getting more and more complicated and intricate as they are embracing fine art techniques. If you look at HaHa's work it is hard to imagine he does not use a brush to get the detail and colour palate that he is drawing on, and Miss Link who won Australian stencil artist of the year, whose delicate work is bringing in a new feminity that I haven't seen much of to stencilling. Then I have tried to showcase the fine drawing style that is coming from an illustrator background with artists such as Beastman and Mia Tanninaka who are often using wood and ink. The list goes on, as does the juxtaposition of styles, we have work by Troy Archer who is using pen and paper, and Kareena Zerefos who is using watercolours and drawing on themes of innocence and childhood. I am excited about some of our great printmakers this year including, Darren Bryant's who recently won two prizes in the 7th British International Mini Print Exhibition - The London Print Studio Prize, which is a residency at London Print Studio, and the Printmaking Today Prize, an editorial feature in the UK based Printmaking Today magazine. We have photography from James Looker and Snatchez using new and old photographic techniques and a series from Byron Bay photographer Jeff Dawson on the Burning Man Festival. Of course we have works that border on a new retro-ism and pop art from artists like Dennis Ropar and Doug Bartlett as well as emerging artists Kareem Rizk and Kevin Tran and bold colourist Johnny Romeo. Its a great show and this list hasn't helped our definition, I guess what I am trying to say is that I don't want to limit anyone's imagination by labelling, come to the show and let me know what you think, or feel free to make a comment below!!
It’s an exciting time to be a gallery showcasing Urban Art in Australia! We are still so far behind the UK and USA in terms of collectors appreciation of this genre of work, many of our great artists including Mark Whelan (Kill Pixie) and Anthony Lister have had to go to America to try and break into the scene there to get recognition and the prices they deserve. But the more I have researched the more excited I am about this talented group of Australia artists. I truly believe that there is an individuality coming through in some of the work in the Urban Art Scene today that is challenging and standing up to the standards of work being produced in USA and the UK. This is truly a good time to invest in this style of art as well, as I believe it is only a matter of time before some of the names you will see in this show will increase in value as well as recognition in Australia and overseas.
Probably the best way to end this post is to put in some words that Troy Archer sent me about his ideas on Urban Art..
-Bree Delian | Director Retrospect Galleries
"Imagine getting a criminal record for playing cricket in the park or for jogging along the waterfront, sounds crazy hey! Well for thousands of street and urban artists this is a reality, their 'jogging along the waterfront' is painting in public, under bridges, on condemned buildings, ultimately out in the public space for all to see, it's what they do to escape the realities of the day-to-day. These guys and girls are most often referred to as graffiti artists, vandals, troublemakers and juvenile delinquents; the work they create is in most cases illegal. But in recent years these 'beautiful losers' (google that and be amazed) are now regularly packing and selling out fine art galleries and museums the world over. Names like Jean-Michel Basquiat and Blek La Rat, and more recently Banksy and Shepard Fairey have thrown open the doors of the art worlds conscience beyond imagination itself. What was once a 'tag' on a bus
shelter has become a multi-million dollar phenomenon; street art and the losers that make it are officially and firmly planted in the art world. English artist Banksy has never shown his face, he can't due to immanent incarceration if his identity is learned, he has illegally stencilled and brushed his way into the history books of contemporary art via brazen and ridiculously creative acts of modern artery. Banksy isn't alone, there are exciting stories of artists the world over, creating amazing works under alias or in complete anonymity. And of course Australia is dropping paint on the heels of the art world with some of the most amazing talent and passion in this genre, gaining almost as much recognition as Ken Done did when he hit the art headlines of the 80's. Names like Kill Pixie, Dmote, Beastman and plenty more are trailblazing their way to art stardom and the trail of thought and creativity is worth collecting. Keep an eye out for the public samples, they come for free, then head to Retrospect Galleries to immerse yourself further and start your collection. You'll be amazed at the work a bunch of delinquents can make when they are safely out of harms way." Troy Archer